Cassie Padilla
Professor Lewenstein
Englis 110
24 Nov. 2023
Mean Girls: Breaking Down The Brutal Realities of High-School Life
Mean girl films hold a special place in my heart. As a lover of cinema, I find myself drawn to these films that delve into the captivating and complex dynamics of high school cliques, bullying, and female antagonists. They provide a unique blend of humor, horror, drama, and wit that I find endlessly fascinating. These films manage to capture a piece of my teenage years, in some ways I was a mean girl myself in high school and like in the movies there was a turning point that changed my perspective and humbled me. I will explore the world of mean girl films, analyzing their significance in popular culture and the unique ability to take a viewer into the exciting journey of adolescence. To embark on our exploration, it's essential to define what I mean by "mean girl films." These are a subgenre of teen and young adult movies that revolve around the theme of teenage girls, often in high school settings, engaging in various forms of interpersonal conflicts. These conflicts typically involve bullying, manipulation, social hierarchy, and the complexities of friendships and rivalries. Mean girl films have become more than just a genre; they have become pop culture sensations that resonate with audiences of all ages. The themes and situations depicted in these films transcend time and space, making them enduring classics. They offer an insightful look into the brutal realities of high school life, which, despite evolving social dynamics, remain strangely consistent. These films provide a form of emotional release, allowing viewers to reminisce about their own teenage experiences, whether they were the victims, the perpetrators, or the silent observers of the mean girl world. Mean girl films have the unique ability to capture and mirror the harsh realities of teenage life. They serve as a reflection of the challenging journey through high school. I will categorize mean girl films into distinct classifications, shedding light on their various themes, genres, and societal impacts. Mean Girl Movies offer an insightful look into the brutal realities of high school life, which, despite evolving social dynamics, remain strangely consistent.
High school comedy mean girl films are a subgenre that skillfully blend humor, satire, and wit while exploring the intricate world of teenage social dynamics. This category encapsulates movies like Mean Girls, which has left an unforgettable mark on pop culture. These films often revolve around the lives of high school girls and the hilariously exaggerated yet often relatable challenges they face. In the case of Mean Girls, the plot follows the story of Cady Heron, a teenager who has spent her life in Africa and returns to the United States to navigate the treacherous waters of North Shore High School. The film offers a satirical take on the rigid hierarchies and cliques within the high school, led by the infamous Plastics, a trio of popular girls. Cady narrates her experiences and compares them to what it would like be in the animal kingdom. Janis and Ian are the weird artsy teens who take Cady in under their wings and help her navigate the school, using a map to illustrate this complicated teenage world. She catches the eye of Regina George, the Queen Bee of the Plastics. Regina George see’s Cady as a project and she also wants to take her under her wing. In this plot, Janis reveals how horrible Regina George is but doesn’t go into detail and orchestrates a plan to ruin Regina George’s life. As Cady infiltrates the Plastics and experiences the toxic dynamics of teenage life, the film humorously dissects the nature of popularity, conformity, and the consequences of betraying friendships. One of the iconic scenes, is when The Plastics share a baby pink soft leather covered binder that read “Burn Book”, and inside were photos of their peers with nasty messages, all for giggles. Later the Burn Book gets in the wrong hands and is made public to North Shore High School students causing chaos in Cady’s animal kingdom. Beyond the humor, high school comedy mean girl films carry messages about the perils of cliques, peer pressure, and identity formation. Mean Girls popularized phrases like "On Wednesdays, we wear pink," which have become iconic in their own right and continue to be quoted and referenced in today's social media age. Today there is a Walmart commercial with the cast of Mean Girls highlighting their infamous scenes to promote their Black Friday specials. These films have significantly impacted pop culture by satirizing high school life in a way that resonates with audiences of all ages, offering both laughter and insights into the timeless struggles of adolescence.
Carrie, a classic mean girl film which was adapted from Stephen King’s novel, delivers a supernatural twist of the horrors embedded within a teen's journey through adolescence. Carrie White, portrayed brilliantly by Sissy Spacek, endures relentless torment and cruelty from her peers, particularly the mean girls at her high school. The unspeakable treatment she faces, coupled with her oppressive home environment from her religious unstable mother, serves as the crucible for the manifestation of her telekinetic powers. As viewers witness Carrie's transformation from a meek, bullied teenager to a unstoppable force of supernatural payback, a complex empathy arises. In the scene where Carrie is announced Prom Queen, she is glowing, beautiful, and she is happy. Her peers watching her being crowned start to believe her worth and there is a sense of acceptance. However, the mean girls only trapped Carrie to torture her again. As they pulled on a rope that was connected to a bucket filled with pig’s blood, Carrie is bathed in red and all you can see is her blue eyes widened, her face in terror. The room full of her peers laugh and point at her and she is back to being a loser. In the next scene Carrie struggles with doing the right thing, but she recalls of her torment from her peers to her mother and she believed it would never stop until she gets her revenge using her supernatural powers. While her actions from trapping her peers in a fiery gym, exploding cars with teens and staff trying to flee, and the ultimate show down with her mother, are undeniably horrific, the film prompts an analysis of whether her behavior can be justified. Carrie's telekinetic outburst becomes a metaphorical scream, a visceral response to the relentless psychological and emotional horror she endures. The film invites us to consider the thin line between victim and aggressor, illuminating the profound impact of unchecked cruelty on a vulnerable psyche. In essence, Carrie exemplifies how there can be genuine horror in the difficult journey of adolescence, where the weight of societal expectations, bullying, and isolation can potentially lead to tragic and supernatural outcomes. It serves as a chilling exploration of the consequences when the horrors of teenage cruelty are left unchecked, making the film a potent social commentary on the perils of unchecked mean girl behavior in the crucible of high school life.
Easy A stands as a unique and thought-provoking entry, drawing inspiration from Nathaniel Hawthorne's classic novel, "The Scarlet Letter." This cinematic gem, starring Emma Stone as Olive Penderghast, brilliantly navigates the complexities of high school social dynamics and the enduring consequences of gossip and reputation. The film cleverly appropriates Hawthorne's themes, using "The Scarlet Letter" as a structural scaffold upon which to build a contemporary narrative. In this film Olive's decision to fabricate a promiscuous persona, all to help her gay best friend from being bullied. The rumors spread amongst fellow gay teens, nerds, and other uncool guys who approach Olive to pretend they are “hooking up” in exchange for gift cards. As Olive becomes the subject of escalating rumors and judgment, the film adeptly contrasts with its literary counterpart. While Hester Prynne's struggles were rooted in a puritanical society, Olive's tribulations unfold in a contemporary high school environment, with social media as the modern-day scaffold. The film cleverly plays with the idea of reputation and the consequences of living under the scrutiny of peers, drawing a parallel between the two narratives separated by centuries. The film delves into the psyche of a modern teenager challenged with the complexities of identity, as Olive grapples with the societal expectations placed upon her. Olive's journey becomes a poignant exploration of the fluidity of teenage identity, cleverly navigating the intricate maze of high school cliques and mean girl dynamics. Olive pins the scarlet letter 'A' to her clothes and it becomes not just a symbol of judgment but also a powerful emblem of Olive's rebellion against societal norms and her quest for self-discovery. The film not only critiques societal hypocrisy but also serves as a sharp commentary on the power dynamics within high school cliques, a facet that distinguishes it from its literary inspiration. In essence, Easy A artfully modernizes Hawthorne's themes, seamlessly weaving them into a contemporary teenage narrative. The film's brilliance lies in its ability to navigate the labyrinth of mean girl dynamics while paying homage to a literary classic. It not only entertains but also prompts reflection on the timeless nature of societal judgment, the transformative power of self-perception, and the intricate journey of a teen challenged with forging their own identity.
To my readers, I have a confession: I may have participated in the realm of high school drama and may have been a mean girl myself. Like Cadey Harris, in the film Mean Girls, I also did not start out a mean girl. I came from a Christian private school where it was frowned upon to even listen to Britney Spears. When I transferred to a public school I was out of my league. It was survival of the fittest and I had to learn that at the age of thirteen. I wanted to hang out with the popular girls and dress like them. I saw those popular girls bully my peers, and I did not want to be bullied. My parents did not understand their first teen, but they were willing to give me the tools to fit in, which included taking me on a shopping spree and getting rid of the dorky glasses. I had my teenage makeover moment, and I was happy that I would be fitting in with the “cool kids.” However, there was a catch to hang out with the popular crowd, it meant I had to drop the one friend who accepted me for who I really was. Was it worth to lose my best friend to the alcoholic, burn out, party crew? Absolutely not. It has been one of many regrets, that I think about often. Those so-called “cool kids” got me into trouble, and I barely made it out alive. I had the courage to get rid of those “friends” and in the end I was left with none. I hurt my real best friend and if I was her, I wouldn’t forgive me either. These films serve as powerful lessons of self-reflection, forcing me to confront my own past as a mean girl. The narratives, laced with humor, horror, and raw honesty, compel us to gaze daringly into the darker aspects of our own histories. These films challenge us to unearth the root causes of our actions and encourage a reckoning with the consequences of our behavior. Through this lens, the mean girl genre becomes a provocative mirror that reflects not just the past but offers a piercing glimpse into the present. The power of these narratives lies in their ability to transform past transgression into motivation for positive growth and social evolution. To my best friend Jessica: I am sorry, you did not deserve that, I wish you nothing but the best.
Works Cited
Carrie. Dir. Brian De Palma. United Artists Corp., 1976. Film.
Easy A. Dir. Will Gluck. Sony Pictures. 2010. Film
Mean Girls. Dir. Mark Waters. Paramount Pictures. 2004. Film