Fig. 1. Lynn Whitfeild as Josephine Baker wearing the famous "Danse Sauvage" Banana outfit. The Josephine Baker Story, scene still & alternative movie poster. Brian Gibson. 1991.
After leaving the U.S in hopes to escape segregation and gain more opportunities, Josephine Baker quickly found her heart in France. In 1927, Josephine had a performance that changed her life and this world forever. The name of this performance is "Danse Sauvage” and it came to be iconic during the 1920’s jazz era. This dance consisted of Baker dancing in front of a jungle-esque background and only wearing a skirt made of fake bananas strung together. What made this performance stand out was the homage to African stereotypes paired with Baker’s comical facial expressions and sex symbol energy. Josephine brought much needed representation to France for future Black female artists to come. But personally for Josephine Baker, she was finally seeing the fruits of her patience, hard work, and risk taking. Thomas at the Los Angeles Times perfectly described Josephine as “A woman of formidable talent and intellect as well as dazzling presence and sexuality, Baker became a great star of France's music halls, developing into a memorable singer, a heroine of the Resistance and a fearless fighter for civil rights in her native country“ (Thomas). Josephine was not only an amazingly beautiful dance performer, but she could also sing! She was the full entertainment package. When she rose to fame in France it meant more than just success. She was making history and pushing boundaries. Josephine refused to perform for segregated audiences even when she returned to tour in her native country in the United States for the first time. No matter the success she gained, she never turned a blind eye to injustice.
Because Josephine Baker’s ambition was stunted by a completely segregated and Jim Crow environment in her Native United States, she moved to France, where there were more opportunities for black people, especially black artists of all sorts - Josephine wanted to change the world, and all she needed was an open stage. During the 19th and 20t century, the opportunities for Black Americans in the Performance Arts industry were very limited. The only big time Broadway roles they were allowed to audition and play were characters in black face, minstrel shows. Many artists who had the opportunity seeked employment in less segregated countries including France. Josephine's road to fame may have been stunted in America, but France received her with open arms. After Josephine's first famous solo performance dubbed the “Banana Dance”, Paris fell in love with her. She too fell in love with Paris and soon decided to renounce her American citizenship and become a French citizen.
In the article written by Thomas, Kevin representing the Los Angeles Times titled “Josephine Baker Gets Her Due HBO's `The Josephine Baker Story' illuminates the life of one of the most remarkable women of the century-and makes a star of Lynn Whitfield.” Thomas gives his review on the “Josephine Baker Story'' film. Baker had a very eventful life and the article covers the timeline the movie follows. The movie starts with an elder Baker recalling the 1917 race riots in St Louis. It then follows her throughout her journey to stardom after moving to Paris. The movie opens up with a young Josephine running through the ghetto of St.Louis amidst the race wars of 1917. This paints the scene for the rough party of Josephine's history and is the extent of racial violence shown in the film. Josephine is played by Lynn Whitfield. “In the process, it signals the arrival of a vibrant new star in Lynn Whitfield, whose vivid yet subtle portrayal of the complex and mercurial Baker is the kind that wins prizes and launches important careers''(Thomas). Thomas receives Whitefeilds performance very highly. He also seems to enjoy the long awaited depiction of legend Josephine Baker that the film displays. He does touch on points about how this is the only film about Josephine following 15 years since her passing. “Never mind that it's a sad, ironic comment on Hollywood that, 15 years after the death of the legendary Josephine Baker at 68, no studio has made a film about her, even though her life was the stuff of half-a-dozen movies” (Thomas). But alas it has happened, the movie has been made, and it's a pretty darn good one at that. Thomas shows tones of suspicion as he alludes to the question of why it's taken this long, but follows closely with appreciation of the beauty and craft of the film. The article does mention some of the main people involved with making this film possible. The director is mentioned as Brian Gibson and the writer / story creators are Ron Hutchinson and Michael Zagor. These individuals made the production possible.
All Josephine Baker really wanted was to be respected, loved, and supported in doing what she loves. As previously mentioned, the film “The Josephine Baker Story” opens up with Josephine as a child running through a scene of racial violence against black people and death. Right away the film lets us know that Josephine is living in a time where she is disadvantaged due to her skin color. However, Josephine wants to be a famous performer. This isn't normally a conflict in one’s life but Josephine was a black woman in the 20th century. This meant that there were certain limitations on how she could achieve this goal while living in the U.S. So Josephine decides to move to Paris to pursue her dream in a country where she could be free. It was there that her career flourished.
(The video above is age restricted and can only be accessed through YouTubes page. The scene that I will be referring to is located at time stamps: 9:38 - 11:35)
Josephine came upon an opportunity to travel to Paris for a dance gig. Her mother didn’t approve as Josephine was still legally married to her previous husband. Her mother also used to be a dancer and believed there was only a matter of time before Josephine failed. But for Josephine this was the moment she was waiting for. Once Josephine got to Paris she quickly realized how different it was out there socially. This brings me to one of the most important scenes in the whole movie in my opinion. In this scene, Josephine runs throughout the city streets dancing and making silly faces to the people around her. This is the first time in the whole movie that we see both Black and White faces comfortably coexisting. Josephine even mentions being served by a white waiter for the first time while narrating this scene. Josephine, played by Lynn Whitfield says “Free in France, still black but free in France!”. She mentions how she was able to stay at hotels and was even served by a “white” waiter in a restaurant for the first time. Things were different here. A pivotal moment in Josephines career is shown in a scene where she is told by her stage manager that she is expected to perform topless. Josephine struggles with this decision as her mother alluded to this type of dancing in disgust. Josephine doesn’t want to appear distasteful. She decided to perform topless and was immediately met with praise followed right after with respect. Like I said before, things were different here. During the first scenes of Josephine in Paris she describes the way freedom felt after living in a very racially oppressive country. She states “The air made us drunk”. For once she felt on top of the world.
Ms. Baker had many strengths. Aside from the more obvious ones like her being an amazing singer and dancer. Josephine was highly intellectual for someone who was not able to finish highschool, she spoke 5 languages fluently. She was also very passionate about equality for everyone. An example of how far her passion went is her adopting 12 children of different races, just to prove that racism isn’t natural, it’s taught. Josephine is resilient. No matter how many dirty looks she received, and how badly she was still treated even after becoming rich and famous, she still held her head up high and continued to fight for what was right. However Josephine was only human and during her childhood growing up Black in racist America, she gained trauma from all that she had been through. Josephine's sensitivity and unresolved trauma proved to be her weaknesses sometimes. A moment of regret shown in the film is when she receives a phone call that her younger sister passed away. She previously promised her sister before leaving to France that she would send for her once she became successful. Josephine let her trauma and anxiety stop her from reaching out to her sister. Josephine is both her strengths and her weakness. Considering the hand she was dealt at birth she could’ve turned out many different ways. But she turned out to be a star.
Pictured above is the main movie poster used to promote “The Josephine Baker Story '' film. It features the star of the movie playing Josephine, Ms. Lynn Whitefield dressed in a sexy blue evening gown with long elegant white gloves. She appears to be posed in a way made most famous by Marilyn Monroe in which she's in a slight squat with her hands on her knees. The poster reads “Before Madonna, Before Marilyn, There was Josephine.” This is the only writing on the poster besides the title. Clearly the creator of the poster wants the audience to question who this woman is, and was she truly before such icons as Madonna and Marilyn?
Film critic Stephen Lynch has mixed feelings about The Josephine Baker Story. He makes sure to give Lynn Whitefeild her flowers for her performance and even compliments the production and choreography. However he seems to be unsatisfied with parts of Josephine's life story that are missing, skimmed over, and fabricated. He compares the film to a quote from a narrating Josephine in the film to his opinion on the film as a whole. “ ‘I’ve done it wrong, but I’ve done it. I’ve made bad decisions, but I’ve made decisions.’ Similarly, though this film has many marvellous components, the whole is less than the sum of its parts”(Lynch).
After some research and learning more about Josephine’s life, i feel i have to agree with Lynch. The movie is beautifully filmed and is very pleasant to watch, but I feel it left out important parts that help define Josephine’s personality. An example of something the film left out was her involvement with the American civil rights movement. This would have added more depth to her relationship with her birth country. The film's portrayal of her can make her come off as cold and one dimensional. She seems ruled by fate and emotional responses. As a viewer I often struggled with humanizing her as she mainly appeared characteristic.
Lynch starts off by giving a brief introduction to this films muse, Josephine Baker. He goes on explaining how multifaceted she is and mentions the many hats she wore. As I’ve mentioned earlier in our analysis of Josephine, she was more than a dancer. Her life served as a political statement in many ways. I actually do not detect any bias as I feel the reviewer is judging based on historical fact. I noticed his main complaints are missing information and romanticizing certain events. It gives the feeling that Lynch just expected more for the first film ever made about such an iconic woman. Lynch finishes off his review with the line “Consequently, as opposed to Baker’s famed kineticism on stage, this biopic just doesn’t move.” He feels the director may have given “flat direction” and despite all of the physical components being on point, the film lacked oomph. I have to say I agree with some of Lynch’s main points. The missing components would have made such a big difference. I feel the film wanted to not focus on too much of the strained history between Josephine and America but as a result, we the audience aren’t fully aware of the reasoning behind some of her decisions. However, I love the film's visual and physical aspects. The casting was beautiful and the sets painted such an intoxicating picture. I think we all just wanted more, but who wouldn't? How does one fit such an iconic and complex tale of Josephine Baker’s life into a two hour film? But here I am, attempting to fit her story into my essay. I guess the main take away from Josephine’s story even shines through our attempts to fathom her. Josephine was and is too big and complex for our boxes.
Works Cited
"Black artist Josephine Baker honoured at France's Pantheon: Singer honoured for civil rights activism." Niagara Falls Review, Dec 01, 2021. ProQuest, https://collegeofthedesert.idm.oclc.org/login?url=https://www.proquest.com/newspapers/black-artist-josephine-baker-honoured-at-frances/docview/2604863978/se-2.
Diallo, Rokhaya. "THE STORY OF JOSEPHINE BAKER CAN'T ERASE FRANCE'S RACISM FOR PRINT USE ONLY." Pittsburgh Post - Gazette, Nov 26, 2021. ProQuest, https://collegeofthedesert.idm.oclc.org/login?url=https://www.proquest.com/newspapers/story-josephine-baker-cant-erase-frances-racism/docview/2602440089/se-2.
"France: In French Pantheon, Josephine Baker Makes History Yet Again." Asia News Monitor, Dec 01, 2021. ProQuest, https://collegeofthedesert.idm.oclc.org/login?url=https://www.proquest.com/newspapers/france-french-pantheon-josephine-baker-makes/docview/2604490293/se-2 .
McKerrow, Steve. "Josephine Baker HBO lavishly tells life story of `black Venus': [FINAL Edition]." The Evening Sun, Mar 14, 1991, pp. C1. ProQuest, https://collegeofthedesert.idm.oclc.org/login?url=https://www.proquest.com/newspapers/josephine-baker-hbo-lavishly-tells-life-story/docview/306356587/se-2.
Thomas, Kevin. "TV REVIEW Josephine Baker Gets Her Due HBO's `The Josephine Baker Story' illuminates the life of one of the most remarkable women of the century-and makes a star of Lynn Whitfield.: [Home Edition]." Los Angeles Times (pre-1997 Fulltext), Mar 15, 1991, pp. 1. ProQuest, https://collegeofthedesert.idm.oclc.org/login?url=https://www.proquest.com/newspapers/tv-review-josephine-baker-gets-her-due-hbos-story/docview/281288003/se-2.
Lynch, Stephen. “The Josephine Baker Story - The Biopic Story.” Thebiopicstory, The Biopic Story, 1 Aug. 2020, thebiopicstory.com/baker-whitfield-review .
“The Josephine Baker Story (The Full Movie) Lynn Whitfield, David Dukes, Louis Gossett Jr.” You Tube uploaded by The “Timeless” Legendary Lerone Baker, 13 November 2018. https://www.youtube.com/watch?v=LN8TBm4IOTI&t=441s